Slothtrust
April 15 @ 7:30 pm
RESCHEDULED! The SLOTHTRUST show in at The Abbey which was recently postponed due to impacts of LA wildfires, is now RESCHEDULED to April 15th. Please, HOLD ON TO YOUR TICKETS from the original date as they will automatically transfer to new date. If you cannot make it on the new date, you may request a refund no later than January 24, 2025, by emailing help@seetickets.us.
Glory Days Presents SLOTHTRUST – playing Of Course You Do front to back – at The Abbey with Weakened Friends and Preying Mantease at The Abbey!
18+ | Doors 7pm
About the artist:
There’s cover songs, and then there’s the many ways Leah Wellbaum and Will Gorin have flipped their favorite tracks over the past 15 years. Not just with their longtime band Slothrust either. The Sarah Lawrence grads first bonded over the blues, a way to apply the progressive lesson plans of teachers like Mike Longo — a pianist who played with such jazz pioneers as Dizzy Gillespie and Lee Konitz — to fearless riffs and rhythms that feel like total rewrites.
Gorin is quick to credit Longo’s “Three I’s” lesson — imitation, incubation, and innovation — in particular. The main takeaway? That the best music comes from building upon other people’s ideas, rather than simply replicating or revisiting them.
The clearest example of this would be the Slothrust record Show Me How You Want It to Be, a cover song compilation that dropped sand-blasted renditions of The Turtles (“Happy Together”) and Marcy’s Playground (“Sex and Candy”) alongside spare takes on Al Green (“Let’s Stay Together”) and Sam Cooke (“Cupid”).
Heading even further out into left field is the new EP I Promise, a wild ride that includes a raw performance of “Somewhere Over the Rainbow” and not one but four different recordings of the slo-mo smash “Pony.” The latter takes its cues from Ginuwine’s cassingle, which split its sides between a vibrant album version, drawn-out director’s cut, Timbaland’s iconic beat, and Ginuwine’s carnal a cappella.
Slothrust takes the track down two distinct paths built around the original’s three powerhouse chords and effervescent low end. One swings like a lithe slice of sludgy rock ‘n’ roll, and the other dives straight off the deep end for 10 extra minutes, playing to the pair’s strengths as well-rounded mind readers.